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Posted by: neil on:28 Feb 2011 Performance » The Musiclab Live (pt 3) |
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The
Musiclab Live (pt 3)
After a brilliant start to the day with Session 1 completed, the staff at The Square and The Musiclab tutors were able to take a 45 minute break to rest and re-fuel before Session 2 was due to kick off at 7pm. Quick repairs were also needed to my Rickenbacker bass which had given up the ghost towards the end of the previous show. Bob was quickly on the case and applied his electronics genius and had the bass back up and running in around 10 minutes. The "Ricky" has been described by one young student as an icon of The Musiclab and it is covered in battle scars as it has been battered and abused for many years. It's a '78 that I picked up second-hand 14 years ago in a little guitar shop on Sunset Boulevard, Hollywood, so who knows what history it had before it came into my hands. As he handed it back to me, Bob gave me an earnest look and said "maybe it's time to retire this one". So I am looking forward to giving Bob the go-ahead to refurb this lovely instrument and I will need to find it a little niche somewhere at home. Anyway, I digress....
The venue had filled up nicely and everything was in place for a 7pm start. Electrlab kicked off the set with seven numbers with an 80s influence. First up was Hands On You - an instrumental version of an old SVC original. With Toby on kit and Ash providing electronic percussion, Electralab worked their way with ease through a tricky arrangement with stops, breakdowns and silences. I was really pleased with how this went - super tight! With the final guitar notes still ringing, Ash took his place behind the kit so we could seemlessy go into a cover of Calvin Harris' Colours, this was followed by Ollie taking over kit duties and Ash moving back on to E-Perc for The Girls which again saw Paolo take to the mic for his vocal cameo. It was great to see Joe return to The Musiclab Live after a two year hiatus and he provided funky sixteenth note patterns aplenty on Acceptable In The 80s! |
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Next up we had some serious groove playing on the kit by Hannah and Josh showing his vocal capabilities in R & B with a version of Ne-Yo's Closer, complete with synth-string arrangement by Bob. Following on from that we had Jane's "kraut-rock" broken beats providing the bounce to Depeche Mode's Just Can't Get Enough and Electralab's mini-set was completed by some thumping sixteenth note groves from Andy on a rocked-up version of Don't You Want Me Baby. All in all, an excellent start to the show! |
Returning from a short homework break, we welcomed back to the stage Conor and the rest of the Vest Of The Parrott guys to stretch their legs and show their skills on three of their original numbers. This was followed by a guest appearance on drums by Musiclab student Tom, who did a great job on two more VOTP originals Liberation and Maybe One Day - good work Tom!
We then welcomed on stage the first of Paolo's guitar groups. Holly, Laura and Toni were joined by Ollie on drums and the superb Rhys on vocals for their versions of Misery Business, Slither and Seven Nation Army. The guys and girls really set the standard for the guitar classes to follow and it was great to see Toni getting involved with backing vocals too. |
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Special credit has to go to Rhys. Rhys learned the lyrics and vocal parts for over twenty songs which he performed on during both sessions. Leading up to the gig, Rhys was averaging ten hours per week at rehearsals with our guitar groups along with learning his guitar parts for his own guitar class who performed a great four-number set in Session One.
Rhys's stage performance was fantastic on the day and not only did he provide vocals for the songs, he bantered with the audience and introduced numbers with confidence. All this and he's only 12! Rhys was with us from mid-day through to 10.30pm and he was as bright and bubbly at the end of the day as he was in the morning! |
Rhys finished his vocal duties for the day with two more mini-sets. The first of which saw Scott, Kirbie, Lauren and Hannah take to the stage for Wish You Were Here and In Bloom - well done guys!
Following on from that Adam, Katy, Josh and Rhys (The Pod Mice) played a mixed set with student drummers starting with Under The Bridge with Andy adding some tasteful playing on drums. This was followed by Muse's Plug In Baby featuring some tast lead playing by Katy and some driving drums provided by Chris. Lee then took to the drum stool to make his Musiclab Live debut on two numbers - Molly's Chambers and Billie Jean (nice triplet fills Lee!). This was then followed by Stu doing superbly well to keep pace with Adam's tempo on Breed. The Pod Mice finished with the instrumental Dance of Death with Adam and Katy showcasing their guitar skills and Josh getting a chance to show that he hasn't forgotten how to play drums! |
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Next up we welcomed on stage the first of our adult groups. Featuring Stephen, Gary and Dave (another Musiclab Live debutant). On drums we had John, who took over drumming duties for this group at very short notice and did a great job. I was down for vocals and bass with these guys and I was also pleased to have Bob accompany / help me with vocals on the difficult-to-breathe-on 500 miles. This was followed by Louie Louie and I have to say that the guys' playing on this made it really easy to do vocals and play bass!
We then finished this mini-set with one of my faves, The Who classic - My Generation. As John only had two weeks to prepare his drum parts for this set, we felt that this song was a touch tricky and although John almost nailed it he did ask me to play on this one (next time John!) |
I was more than happy to do this as it's also one of my favourite styles to drum. I've heard a lot of covers bands just go out and thrash this song, but it is in fact a high tempo blues shuffle, so getting it right is all in the triplets and if you can play fast paradiddle-diddles then the fills really open up and flow. We were joined on stage for this number by Conor and Josh who did a great job un-rehearsed on vocals.
Speaking of Conor and Josh, next up we were treated to a Vest Of The Parrott covers set. Kicked of by some excellent high-tempo, slightly swung quarter note rock drumming from Chris on Saturday Superhouse, this was followed by Tom (Foxy) driving along on Bet You Look Good On The Dancefloor. Taking over the kit from Tom, we had Kieran, sporting a very stylish military jacket and applying military precision to his drum grooves on back-to-back numbers Everlong and Dakota. |
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The VOTP boys were then joined on-stage by Alison for the Foo Fighters' classic Times Like These. Alison had worked really hard on this song and the hard work paid off as she nailed all the changes and accents!
Following on from Alison, we had Tom (A) up on stage providing punchy drums to Use Somebody. Tom almost pulled this off perfectly but I think he may have learned the value of rehearsal as with the extra run-through with the band the week prior to the gig would have meant a perfect performance on the day!
Drumming on VOTP's final song of the day and receiving some fantastic encouragement as she took to the stage, we had Jane who did a great job in providing the swing for Crazy Little Thing Called Love. |
Although the Vest Of The Parrott guys had played all their songs for the day (thanks again Conor and Liam!), we weren't quite finished with Josh as he joined Paolo and I for a quick three-song burst. First up on kit was Terry whose hard-hitting style was very well suited to a couple of original songs. First up was Breakthrough written by Josh (more or less his first attempt at the age of 14 - check out the version here, where he plays almost everything). Although this song is a lot "poppier" than the material that he is writing now, Terry provided punchy, rocking drums to drive the tune. |
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Next up, Terry featured again on 707 - a tune I wrote the music for, initially as a backing track to use for drum students to get a handle on up-tempo quarter note rock grooves with a triplet feel (the drum parts can sound deceptively simple, but you really have to nail the "swung" triplet feel to make it sound right). Josh added the lyrics later and I really like the cheeky swagger of the words and think it suits the song really well. Terry again, drove the song along and gave it the necessary "bounce"!
The third number of the mini-set saw John return to the kit for a Labrats arrangement of The Beatles Come Together. We really like playing this one and have enjoyed putting a bit of our own style on it and John's drumming fitted perfectly with what we were trying to achieve with the song. |
Next up we had Michael, Charlotte, Louise and Ash up for their set. They started off with their own arrangement of Led Zeppelin's Whole Lotta Love - Rock riffs aplenty! This was followed by Wild Thing and Long Way To The Top. I really enjoyed the different spin these guys put on some classic tunes. Louise was assured and confident on vocals and the guitarists - Charlotte and Michael provided some suitable rock growl and even some call and response riffing. I was also really pleased with the professional job that Ash did on the kit, providing some serious groove to the numbers. Excellent work!
We then welcomed to the stage, Bob's "Jimmy Saville Fan Club" featuring Tom, Louise, Paul and Stu with Paolo taking bass duties. They kicked off with te T-Rex classic Jeepster complete with band introductions. 3-minute classics were very much the order of the day as they followed up with great versions of Teenage Kicks, You Really Got Me and finally Blitzkreig Bop - complete with Rock and Roll ending with Bob risking serious injury to himself and drummer Stu by climbing up on and launching himself off of the kick drum! |
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Having recovered from all this excitement (and checked that the kick drum was still in one piece), I was due on stage to provide bass for a set of four songs performed by Charlotte, Paul and John B (with Paolo playing lead guitar). We kicked off the set with a cover of The Pretenders' Brass In Pocket.
That was followed by three original songs penned by Charlotte herself - False Love, Draw A Line and To Have and To Have Not (available for free download here) . The guys worked incredibly hard on bringing Charlotte's songs to life and it's really pleasing to be able to encourage adult students to be involved with creating and performing original material.
All eyes were on Charlotte as she projected her songs really well with the air of an experienced performer, but great credit must go to Paul and John who provided (almost) flawless backing on acoustic rhythm guitar and drums respectively. Good work chaps! |
With only the hardcore remaining and finishing up on a long day, Paolo, Josh and I took to the stage one last time for the final three numbers. First up was The Ramones' I Wanna Be Your Boyfriend with Alison giving a big kick up the backside to flagging energy levels with her hard-hitting, driving drums. This was followed by another appearance behind the kit by John D for a rocked up, high-tempo version of The Rivieras' California Sun and bringing the day to a close with the final number of the session, Terry's powerful playing gave us the energy and drive required to pull of a distortion-drenched work out of The Velvet Underground's Waiting For The Man.
Overall, we had an excellent day and I was so pleased with how well the event unfolded. I would like to take this opportunity to thank again, the friendly and professional staff at The Square. The Musiclab Tutors, staff and helpers - Paolo, Bob, Josh and Louise for all their hard work on and before the day.
Thanks also to Vest Of The Parrott for giving the opportunity for our drum students (young and old) to play with a professionally-minded up and coming band. These guys didn't just turn up and play! They very kindly gave up their time to come and rehearse, giving our students the best possible opportunity to perform to the best of their abilities, so thanks again guys and anyone reading this blog should check them out.
I'd also like to thank Katy and Adam of The Pod Mice, who came and played in both sessions and helped side stage along with doing so well in their own performances and Rhys for the superb job he did on vocals all day and also the time and effort he put into rehearsals.
I would like to thank the student's family and friends for their continued support. And last but not least, I would like to thank the students for the great job they did on the day. I felt they really showed what The Musiclab is about and I was very proud of what they all achieved both on the day and in their preparations for this event. It's great to see new students beat their nerves to make their live debut and enjoy it so much. Equally satisfying is see those students who have taken part in a Musiclab Live event before, come back and show how much more confident they are and how much they have improved both in a technical and musical sense.
All in all a fantastic day. We look forward to the next one!
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